“The Catfish Sisters” in Mermaids Monthly. When racial violence spills into the Mississippi River, the Catfish Sisters seek justice. Epic length, historical fantasy based on real-life events.
“Nemontemi” in Selene Quarterly. Aztec clockwork girl makes good in new world.
“Strandbeest Dreams,” cowritten with José M. Jimenez, in Sunvault: Stories of Solarpunk and Eco-Speculation.
“The Axolotl Inquest,” Uncanny Magazine.
“Why My Father Won’t Be At My Wedding,” Polu Texni. Putting the playfully “strange” in estrangement.
“Nuestra Señora de las Maravillas Lost at Sea, 1857,” Strange Horizons. From Charles Payseur’s review: “This poem is a battle, a violence done, a retribution from the ocean…”
“Aboard the Transport Tesoro” in Uncanny Magazine, Issue 7. Ancestor worship in the future, in our bodies.
“The Haunted Girl,” Goblin Fruit, reprinted in The Moment of Change: An Anthology of Feminist Speculative Poetry. Critique of misogyny in horror films. Longish, graphic.
“All Shall Know Their Appointed Time,” Decoded #3
“Revival,” Beneath Ceaseless Skies #279
“By the Mother’s Trunk,” Fireside Fiction
“The Flying Camel Goes to Tigerwood,” Solar Punk Press
“Bilingual, or Mouth to Mouth,” Podcastle, originally published in The Haunted Girl.
“The Pearl in the Oyster, and the Oyster under Glass,” Fungi. Environmental science fiction, species dysphoria. Reprinted in The Haunted Girl.
“Cloud One,” Cicada. Theology and car shows; also, chickens.
“Gehenesis,” Brutarian Quarterly. Mythic horror, graphic. Reprinted in The Haunted Girl.
“The ‘Ludes,” Escape Pod. Bleeding eyes and classical music. Reprinted in The Haunted Girl.